Hub
Captures, models and presets for the gear people actually use. Most of it is free — take what you need. Put yours up the same way: share it freely, or sell it under a licence if you would rather. Either way it stays provably yours, and a maker can post the official capture of its own amp. NAM is open, so your models are yours to take anywhere; here they also come with proof.
11 entries
- Model·amp
5150III 50W — blue channel, gate after
EVH 5150III 50W
Blue channel at 6, which is more gain than it sounds like on paper. Noisy by nature; gate it afterwards.
0 downloads@roomtone · 1mo - Model·Pedal
SD-1 as a boost — drive off, level up
Boss SD-1 Super Overdrive
Drive at zero, level at maximum. A tightening device in front of a high-gain amp rather than a distortion.
0 downloads@nightshiftmix · 1mo - Model·Pedal
Big Muff Ram's Head — sustain at maximum
Electro-Harmonix Big Muff Pi (Ram's Head)
A mid-70s Ram's Head with the sustain all the way up and the tone just below the scoop.
0 downloads@quietamp · 1mo - Model·Pedal
RAT 2 — filter past noon, into a clean Twin
Fender Twin Reverb (blackface, AB763) · ProCo RAT 2
The filter control runs backwards: clockwise is darker. This sits where most people never leave it.
0 downloads@lowendtheory · 1mo - Model·amp
TS808 into a cranked 2204
Ibanez TS808 Tube Screamer · Marshall JCM800 2204
Full-chain capture: an original TS808 in front of a 50W 2204, both doing their share of the distortion.
0 downloads@olathecaptures · 1mo - Model·amp
AC30/6 Top Boost — both channels jumpered
Vox AC30/6 Top Boost
Normal and brilliant channels linked with a short patch lead, volume high enough that it is doing the compressing rather than the pedal.
0 downloads@quietamp · 1mo - Model·amp
JCM800 2203 — edge of breakup, master at 4
Marshall JCM800 2203
A 1983 2203 with the master at 4 and presence at 6. Cleans up off the volume knob, which is the whole reason to capture it here.
0 downloads@olathecaptures · 1mo
